「坔 Tanah Air」 主題概念說明 Concept of Festival Theme
馬來西亞是一片多元族群與文化交織的土地，「多元」的特質孕育了各式各樣的偶戲表演藝術。這些根植本地、在地滋養的傳統，逐漸開花結果，展現出獨特的藝術風貌。
不同族群所帶來的偶戲形式原本源自祖籍地的文化根脈，然而一旦落腳於這片土地，便開始受到在地語言、風土人情、生活方式的影響，發展出嶄新的樣貌。
本屆偶戲節，旨在匯聚各地區、多樣風格的偶戲作品，呈現這片土地上的偶戲藝術如何生根、轉化、綻放，成為一座兼容並蓄的藝術花園。
In Malaysia, a land rich in diverse ethnicities and cultures, the characteristic of ”diversity“ nurtures various forms of puppetry performance arts.
These rooted, locally developed art forms have blossomed into unique expressions. While traditional puppetry and performance arts have their origins in the ancestral homelands of different ethnic groups, once they took root here, they grew and flourished, shaped by the land’s unique environment and culture.
This year’s puppetry festival aims to gather a variety of regional puppetry styles, showcasing the multifaceted nature of puppetry as it has evolved in this land. It will be a vibrant, artistic garden of diverse voices, much like a bouquet of flowers in full bloom.
表演和分享 Performance & Sharing
Dr. Oen Boen Ing: Becoming Indonesia 👤 蕭八山布袋戲 Sanggar Wayang Potehi Siauw Pek San（印尼 IND）
由印尼傳統布袋戲團 Siauw Pek San 呈獻，本劇講述印尼華人醫生 Dr. Oen Boen Ing 在印尼獨立革命時期，冒死拯救一位印尼將軍的真實故事。在被問及是否願意選擇中國國籍時，他堅定地說：「我要成為印尼人。」這段歷史不僅彰顯個人信念，也映照出身分認同、忠誠與國族建構的深刻命題。
融合華族傳統布袋戲語彙與印尼當代敘事手法，Siauw Pek San 以偶戲訴說歷史，用掌中小戲臺再現跨文化的情感選擇。
In a captivating 45-minute performance by Indonesia’s renowned puppet troupe Siauw Pek San, witness the true story of Dr. Oen Boen Ing—an intrepid medic whose courage on the battlefield of the Indonesian Revolution saved a high-ranking general’s life. Through masterful puppetry, the tale unfolds: from the chaos of war to the pivotal moment when Dr. Oen Boen Ing must choose between his Chinese heritage and his love for his adopted homeland. In a moving act of loyalty, he declares himself Indonesian, sealing his place in history.
Join us for an evening of drama, heroism, and cultural identity, brought to life with exquisite hand-carved puppets, traditional music, and timeless storytelling.
專題分享 Talk & Sharing
與偶同行：關於研究與復興的沉思 One with the Puppets: Reflections on Research and Revitalization 👤 陳瑞明博士 Prof. Dr. Tan Sooi Beng
在這場知性與感性的並行演講中，馬來西亞民族音樂學權威、文化行動者 Prof Dr Tan Sooi Beng 將分享她多年來對文化保存、表演藝術活化與跨界合作的實踐經驗。從檳城街頭的華族戲曲，到鄉村社群的口述歷史，Tan 教授以「實地參與」為研究立場，提出學術不只是冷靜記錄，更是溫熱的參與與回應。
In this thought-provoking and emotionally resonant lecture, Malaysian ethnomusicologist and cultural activist Prof Dr Tan Sooi Beng will reflect on her decades of work in cultural preservation, the revitalization of performing arts, and cross-disciplinary collaboration. From Chinese opera in the streets of Penang to oral histories in rural communities, Prof Tan advocates for a research approach rooted in active participation—where scholarship is not merely objective documentation, but a warm, engaged response to living traditions.
播映座談 Screening & Sharing
掌中有光戲有聲 Light in Palm & Voices in Plays
👤 張傲斌（八度空間主持人 ） 👤 林雲濠（破浪布袋戲團長）
在這場難得的特別播映活動中，八度空間《一週拾談》的專訪篇章公開放映。由資深主持人 張傲斌 帶領觀眾走進馬來西亞當代布袋戲的現場與內心，深度對談本地布袋戲創新團隊——破浪布袋戲（Ombak POTEHI） 團長 林雲濠。
本次專訪不只是一次媒體呈現，更是一場文化對話。從傳統技藝的守護，到舞台創作的革新；從地方社群的連結，到跨國合作的實踐，林雲濠分享他如何讓古老的偶戲走向當代、連接未來。
學術分享 Academic Sharing
A Song of Crossing to the Southern Sea: Part of Migration History 一首過番歌 半部落番史
👤 杜忠全博士 & 陳佳傑
從一首代代相傳的〈過番歌〉出發，這場講座將帶領觀眾重返華人南來馬來亞的遷徙旅程，探索音樂、記憶與歷史之間的交織。那是一段搭船過海、落地生根、重新尋找自我定位的過番歷程，也是馬來西亞華人身份認同與文化轉化的多重起點。
講者將引領大家反思：當代馬華如何繼承這段歷史？又如何在今日的語境中詮釋與轉化？當〈過番歌〉不只是記憶的載體，它也成為連結過去與未來的文化橋梁。
Beginning with the age-old Song of Crossing to the Southern Sea, this talk invites the audience to retrace the migration journey of Chinese who sailed south to Malaya. It explores how music, memory, and history intertwine in a story of departure, settlement, and the search for identity—marking the many origins of Malaysian Chinese belonging.
The speaker will reflect on how contemporary Malaysian Chinese communities inherit, reinterpret, and reimagine this history. When a single song becomes more than a memory, it becomes a bridge—connecting generations, and linking the past to the possibilities of the future.
匯演之夜 Performance Night
Tanah Air: Traditional Puppetry Performance Night 一方水土：傳統偶戲大匯演之夜
👤 破浪布袋戲 Ombak POTEHI（檳城 PG）
👤 筱玉隆掌中班 Siau Geok Leong Puppet Troupe（檳城 PG）
👤 蕭八山布袋戲 Sanggar Wayang Potehi Siauw Pek San（印尼 IND）
👤 新金鳳傀儡劇團 Sin Kin Hong Puppet Troupe（檳城 PG）
👤 鐵支幫 Iron Gang（檳城 PG）
👤 微笑唸歌團 Smile Folk Group（台灣 TW）
一場來自四地的偶戲藝術匯演，讓你一夜看遍南洋風土與百年技藝！
《一方水土》集結來自馬來西亞、印尼、新加坡與台灣的傳統偶戲表演者，匯聚布袋戲、提綫木偶、潮州鐵枝木偶與唸歌等豐富形式。每一段演出，皆是一種文化的延續、一方土地的聲音，在手中與光影中訴說靈魂深處的故事。
A spectacular gathering of traditional puppet masters from Malaysia, Indonesia, Singapore, and Taiwan. Tanah Air showcases glove puppetry, marionettes, Teochew iron-rod puppets, and Hokkien recitative storytelling in one unforgettable evening of heritage, rhythm, and light.
主題分享 Talk & Sharing
The Old Mansions & Western-style Houses of Kinmen: Echoes of the Migration Journey 從金門古厝洋樓看落番
👤 蔡明璇博士 Dr. Tsai Ming-Hsuan
當我們談到「過番」，常以離開祖籍地的角度理解這段歷史。但對金門人而言，「落番」指的是前往南洋謀生，再將財富帶回故鄉建造氣派的「番仔樓」——融合中西風格的洋樓建築，成為移民與身份認同的象徵。
在這場講座中，來自台灣的戲劇博士 蔡明璇 將以其田野調查與劇場研究經驗，帶領觀眾重新觀看金門的「番仔樓」與南洋移民之間的文化關係。從一棟棟洋樓的建築樣式與故事出發，我們重新思考「祖籍地」與「移民地」之間的文化流動與雙向回望。
When we talk about “migration,” we often focus on the departure from China. But in Jinmen (Kinmen), many migrated to Southeast Asia, returning with wealth to build striking “fan zai lou”—colonial-style mansions. In this lecture, Taiwanese theatre scholar Dr. Tsai Ming-Hsuan explores how these architectural forms reflect a reverse gaze: from the periphery back to the homeland. These buildings are more than homes—they are symbols of aspiration, identity, and the memory of migration.
主題分享 Talk & Sharing
Reflection on Our Origin: Our Generational Trauma 凝望過番： 祖輩遺留的傷痛傳承
👤 張志偉 Chong Chee Wai
那些祖輩不願提起的往事，我們該如何記得？
這是一場穿越歷史與心靈的對話。張志偉先生將以心理輔導專業視角，結合馬來西亞華人「過番」歷史，探討遷徙創傷如何在家庭與世代之間留下隱形印記。我們從未經歷過番之路，但我們的身體與情感可能仍攜帶著那段沉默的創傷記憶。
How do we carry the stories our ancestors couldn’t tell?
Led by Malaysian counselor Chong Chee Wai, this session explores how migration trauma has been passed down through generations among Malaysian Chinese families. Drawing on psychology and lived experience, it invites us to recognize how ancestral silence shapes identity, emotion, and healing.
音樂分享 Talk & Sharing
Listen to the Song of Crossing to the Southern Sea 再唱一段南洋過番歌
👤 破浪布袋戲 Ombak POTEHI（檳城 PG） 👤 微笑唸歌團 Smile Folk Group（台灣 TW）
一段離鄉，一首歌，串起百年記憶。
本場音樂分享會邀您走進原創劇作《南洋過番歌》的創作現場，透過現場演奏、說唱與分享，重返馬來西亞華人南來的遷徙記憶。這些歌曲結合歌仔戲聲腔、敘事詩、口述歷史與傳統音色，唱出一段段關於漂泊、扎根、身份與情感的故事。
This intimate performance invites the audience into the heart of A Song of Crossing to the Southern Sea, a multidisciplinary creation blending Hokkien operatic tunes, oral history, and poetic storytelling. Experience how songs can carry generations of memory, migration, and belonging.
播映座談 Screening & Sharing
My Will & My Way: A Melodious Dream of Traditional Puppetry 我形我訴：掌戲筑夢揚鄉音
👤 林雲濠（破浪布袋戲團長）
👤 周焰 Nicklaus Chew （焰時代 Yaneration）
當年輕鏡頭遇上百年技藝，會擦出什麼火花？
【國際短視頻創意賽（International Youth & Children's Education Association Short Video Innovation Award）】中脫穎而出的冠軍作品，正是一部描繪「破浪布袋戲」的紀錄短片。導演 Nicklaus Chew 以銳利而溫柔的青年視角，拍下了傳統布袋戲的創新歷程與文化堅持，作品感動無數觀眾，更在國際平台上為馬來西亞傳統藝術發聲。
When a young filmmaker meets a century-old art form—what stories are born?
Join us for an intimate dialogue with Nicklaus Chew, winner of the International Youth & Children's Education Association Short Video Innovation Award, whose award-winning short film captures the heart of Ombak POTEHI, a contemporary glove puppetry troupe in Malaysia. Through his lens, tradition comes alive in a fresh and moving way.
工作坊 Workshop
Taste of Tanah Air: Coffee and Incense Appreciation Workshop 水土風味：咖啡與香道工作坊
👤 AfterTaste Project 👤 Fuming Incense 福明香道
一口咖啡，一縷香煙，品味這片土地的風土與記憶。
本場工作坊由 After Taste Project 與 福明香道 Fuming Incense 聯手呈獻，帶領參與者透過「喝」與「聞」感受南洋的獨特氣息。你將品鑒來自馬來西亞本土栽種、烘焙與研磨的咖啡豆，並學習如何以本土香料、藥材細磨成粉，壓製成香篆，點燃後觀看香煙悠悠，沉浸於蕉風椰雨的氣味世界中。
This workshop is a collaboration between After Taste Project and Fuming Incense, guiding participants to experience the unique essence of the tropics through taste and scent. You’ll savor coffee made from beans grown, roasted, and ground in Malaysia, and learn to grind native spices and herbs into fine powder, shape them into traditional incense trails, and light them—watching the gentle smoke rise as you're transported into a fragrant world of banana leaves and coconut breezes.
工作坊 Workshop
Rebirth of Scrap: Reimagining Shadows Through Light and Waste 再生幻影｜循環物資的琉璃彩光
👤 Plasticity Theatre Troupe
光與影，從回收物中誕生奇幻舞台。
由 Plasticity Theatre Troupe 呈獻，《再生幻影》是一場結合環保教育與創意劇場的體驗活動，邀請參加者走進影子戲的奇妙世界，重新認識廢棄物的可能性。
"Rebirth of Scrap" is a hands-on shadow puppetry experience where creativity meets sustainability. Discover how discarded materials—plastic, paper, and everyday waste—can be reimagined as poetic, luminous characters on stage.
匯演之夜 Performance Night
Stories in Shadow, Souls in Light 幕後流光
👤 破浪布袋戲 Ombak POTEHI（檳城 PG） 👤 Paper Monkey Theatre（新加坡 SG） 👤 Wak Long Music and Art Centre（檳城 PG）
布袋戲 × 皮影戲 × 現場音樂，一夜三團的演出呈現，光影交錯說故事。
來自檳城與新加坡的三支優秀團隊——破浪布袋戲（Ombak POTEHI）、Paper Monkey Theatre（Singapore）、以及 Wak Long Music and Art Centre（Penang） 爲您呈獻三部多元風格的東南亞偶戲展演。
從布袋戲的掌中之光，到皮影戲的幕後投影，搭配現場音樂演奏，探索傳統如何在不同文化中共鳴、轉化與創新，為觀眾帶來一場視覺與聽覺兼具的偶戲盛宴。
Three renowned ensembles from Penang and Singapore—Ombak POTEHI, Paper Monkey Theatre, and Wak Long Music and Art Centre—come together to conjure a triptych of Southeast Asian puppetry, each offering its own distinctive blend of tradition and imagination.
From the warm glow cradled in a puppeteer’s hand to the ethereal silhouettes dancing behind a shadow screen, and all set to the pulse of live music, these performances explore how heritage resonates, transforms, and renews itself across cultures. Together they create a sensorial feast where sight and sound intertwine in celebration.
工作坊 Workshop
Creative Glove Puppet Making Workshop 創意戲偶製作工作坊
👤 蔡明璇博士 Dr. Tsai Ming-Hsuan
你的偶像，自己畫！
由台灣木都光影劇場創辦人 蔡明璇博士 帶領，本工作坊將引導參與者從「繪製戲偶的臉」開始，延伸至服裝與角色創造。結合個人情感、想像與故事記憶，每位參與者將設計出屬於自己獨一無二的戲偶角色，並帶回家作為創作紀念。
Led by Taiwanese puppetry artist Dr. Tsai Ming-Hsuan, this hands-on workshop invites participants to create their own theatrical puppet—from painting expressive facial features to designing symbolic costumes. Bring your stories, emotions, and imagination to life, one brushstroke at a time.
主題分享 Talk & Sharing
Integrating Pedagogy into Vitalizing Traditional Art Form 教藝相生：教學融入傳統藝術的活化之徑
👤 Benjamin Ho (猴纸剧坊 Paper Monkey Theatre)
在全球教育轉型的今日，傳統藝術如何不只被保留，更被教學點燃、轉化為新世代的創意養分？
本場講座由來自新加坡的劇場創作者與教育者——何家偉先生主講，分享他多年來如何將傳統偶戲（布袋戲、皮影戲等）融合於教學現場，從課堂戲劇活動、藝術跨科應用，到社區與校園合作計畫，打開學生對文化的想像與參與。
Whether you’re an educator, artist, or cultural advocate, this session offers practical insights into how traditional puppetry can be brought into schools—not just as performance, but as a learning tool to nurture empathy, creativity, and cultural awareness.