“烬”意指火焰燃尽后所留的余温与余韵，常以黑灰交织之态展现。在陶艺创作中，这种残留的火势经过巧妙的凝结，转化为作品表面的装饰性纹理，象征着火的磅礴能量与自然律动的沉稳呼应。
· 乐烧工艺 陶器迅速升温至高温后立即取出，并投入木屑、纸张等可燃材料中燃烧。火焰的急速侵蚀与炭化反应在陶器表面刻下不可复制的烙印，造就了层次分明且变幻莫测的纹理效果。
· 熏烧工艺 陶器在密封的耐火容器中与多种燃料共存烧制。烟雾与炭渣缓缓沉淀，其微妙的着色赋予作品柔和而内敛的烟熏韵味，形成一种独到而静谧的美学气质。
《烬》是一场聚焦乐烧与熏烧工艺的陶艺展览，汇集来自各地的八位陶艺家。每件作品均保留了火焰炙烤后遗留的独特烙印，是温度与时间共铸的艺术语言。经火焰与烟雾洗礼，每件陶作皆化为时间沉淀的境域，映现深邃而独特的质感。 诚邀您走入火与烟交织的时空，以温度、光影与时间为引，感受陶作在烈焰洗礼后的沉静回响。
“Cinder” embodies the lingering warmth and resonance left in the wake of fire, often revealed in an intricate interplay of black and gray. In ceramic artistry, these remnants of flame are masterfully transformed into surface textures, capturing the immense energy of fire and its profound dialogue with nature.
· Raku Firing Ceramic pieces are rapidly heated to high temperatures before being swiftly removed and placed into combustible materials such as wood shavings or paper. The sudden exposure to fire and carbonization etches unrepeatable patterns onto the surface, creating layered, dynamic textures.
· Smoke Firing In this process, ceramics are placed in a sealed refractory chamber alongside various combustible materials. As these materials burn, the rising smoke and settling carbon residues imbue the surface with subtle, smoky hues, evoking a quiet and contemplative aesthetic.
CINDER is an exhibition dedicated to the techniques of Raku and Smoke Firing, bringing together eight ceramic artists from different regions. Each piece bears the distinctive imprint of fire—a visual language forged by heat and time. Through fire and smoke, every ceramic work becomes a vessel of time, embodying a depth and character that is both profound and unique.
参展陶艺品牌 Participating Studios
- 陶燚 Taoyi Studio
- 日月陶坊 Sun Moon Pottery
- Purple Ling Studio
- 民月陶窑 Minyue Pottery
- 陶呆 Clay Pu
- My Random Pots
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